Make Me Feel Like A Woman
Oct. 2 - Nov. 13, 2016
CURATED BY WARDELL MILAN
FEATURING: LINDA GALLAGHER, TED PARTIN, DANIELA PULITI, TIFFANY SMITH
This exhibition explores traditional thoughts of gender, femininity, and womanhood and encourages dialogue on their evolution given shifting social constructs. It seeks to engage the audience on what it means to be a woman, what is it that makes a woman feel feminine, what is masculine or feminine, and what signifies female.
She has created a site specific installation - "Panic Room: A Safe Space for Reflection on the Value of Black Lives" within this exhibit. The piece focuses on collective healing from collective trauma and is activated by user engagement.
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Black Women Artists Matter: In conversation with Tiffany Smith via New Museum
Tiffany speaking with Ashlin Randolph at the New Museum about her experiences participating in the museums' Black Women Artists for Black Lives Matter Event. Read more at Hyperallergic, Huffigton Post, Culture Type.
Black Portraiture[s] Conferences
She will present her work at the Black Portraiture[s] Conferences November 17-19 in Johannesburg, South Africa. Her panel, Performing the Continent: Re-Imagining African Identities Through Multidisciplinary Art Practices will be moderated by Nikki A. Greene (Wellesley College) and include Rashayla Marie Brown (School of the Art Institute of Chicago), Kenyatta A.C. Hinkle (Artist), and Helina Metaferia (San Francisco Art Institute).
BLACK PORTRAITURE[S] III: Reinventions: Strains of Histories and Cultures is the seventh conference in a series of conversations about imaging the black body. It offers a forum that gives artists, activists, and scholars from around the world an opportunity to share ideas from historical topics to current research on the 40th anniversary of Soweto. Presenters will engage a range of topics such as Biennales, the Africa Perspective in the Armory Show, the global art market, politics, tourism, sites of memory, Afrofuturism, fashion, dance, music, film, art, and photography.
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