Writer, photographer, and MFA Photo/Video alum Miles Ladin was recently featured in Swiss-based Aufbau magazine. In Ladin's article, the artist chronicles his journey through the digital medium and further ruminates on the state of photography today. As Ladin states in his featured article "Medium in Crisis: Narcissist in the Pond":
"The monolithic intrusion of social media selfies upon the way we function and perceive reality is a result of a 20-year journey through a digital revolution."
Ladin goes on to cite his formative years at SVA's MFA Photo/Video program, saying:
"In 1991, I entered an MFA program at New York’s School of Visual Arts. The then recently-launched graduate program in Photography and Related Media was founded by Charles Traub, who had the foresight to make digital photography a signature focus. As an educator, Traub was ahead of the curve; the programs at Yale and RISD were at that point still solely film based. Photoshop had only just been released in 1990 and I was part of the first generation to take a course on the software. After the class, however, I promptly rejected digital. Unlike some of my fellow students, who used the floppy disk based Sony Mavica cameras as well as Photoshop, I was decidedly Luddite. At least for the moment."
As a still photographer, Ladin has previously shot and developed the visual style for “The Night”, a nightlife column appearing in the Styles section of the Sunday New York Times. His pictures of New York’s glitterati also appeared in “Paparazzi”, a four page bi-annual spread in W Magazine.
Currently, Ladin covers New York Fashion Week for Women’s Wear Daily. In this online feature, titled “Pop Shots”, Ladin's signature black and white images are combined with his own written commentary. His words, like his visual work, combine acute observation with humor.
To read the full text from Aufbau magazine, and for more writing by Miles Ladin, visit the artist's blog.