Marvin Heiferman

Elinor Carucci and Marvin Heiferman in "The Space Between" at Julie Saul Gallery

From March 7- April 20, the Julie Saul Gallery is pleased to present a group exhibition featuring work by MFA Photo/Video faculty members Elinor Carucci and Marvin Heiferman. "The Space Between" brings together artists across disciplines who portray the many phases of intimate relationships. "The Space Between" refers to both the physical joining of couples as well as the passage of time that unifies them or causes them to drift apart.

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Through love and coupling, humans unite and become one, as depicted by many of the artists' works featured in the group show. Form and action stops at the perfect moment of union in Elinor Carucci’s close up of a man and woman as their lips almost meet.

Elinor Carucci graduated in 1995 from Bezalel Academy of Arts and Design with a degree in photography, and moved to New York that same year. In a relatively short amount of time, her work has been included in an impressive amount of solo and group exhibitions worldwide, solo shows include Edwynn Houk gallery, Fifty One Fine Art Gallery, James Hyman and Gagosian Gallery, London among others and group show include The Museum of Modern Art New York and The Photographers' Gallery, London.

Her photographs are included in the collections of The Museum of Modern Art New York, the Brooklyn Museum of Art, Houston Museum of Fine Art, among others and her work appeared in The New York Times Magazine, The New Yorker, Details, New York Magazine, W, Aperture, ARTnews and many more publications.

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Writer Marvin Heiferman doesn't consider himself an artist outright; however, his passion for photography and keen eye has resulted in many photographs being captured and shared through social media. Heiferman, aka “@whywelook” zooms in on the outline of a man and woman on the subway on his daily commute; combining body language, a tattoo and patterned dress to suggest intimacy.

In addition to being a contributing editor to Art in America, Heiferman has written for numerous museums, galleries, publications, catalogs, blogs, and magazines including The New York Times, Gagosian Gallery, CNN, Artforum, Design Observer, Aperture, and BOMB. Heiferman is the author, editor, and packager of over two dozen books on photography and visual culture, including Photography Changes Everything (Aperture, 2012).

Faculty and alumni featured in Photograph Magazine's 30th Anniversary Issue

This month, photograph magazine features work by thesis student Petros Lales and alum Pacifico Silano, with additional commentary by writers, artists, and MFA Photo/Video faculty Lucas Blalock, Lyle Rexer and Marvin Heiferman.

Writing on Lales's The Time Traveler, photographer Lucas Blalock asserts:

"...computer space has at once given us a model for engaging with the virtualities latent in the material world, and new tools with which to picture them... [The Time Traveler] is funny and wise and weird. The eye contact is astonishing. Sci-Fi is all around us these days but rarely is it so convincing."

Petros Lales,  The Time Traveler , 2017.

Petros Lales, The Time Traveler, 2017.

Pacifico Silano,  Untitled (Mirror) , 2018.

Pacifico Silano, Untitled (Mirror), 2018.

Curator Marvin Heiferman says of Pacifico Silano's featured work Untitled (Mirror)

"The gutter-- in the publishing world and on city streets-- is a place we're often cautioned to avoid... the place where images butt up against each other with only a paper fold, white border, or staple separating one from the next. I haven't stopped thinking about this particular one since I first saw it because, spit right down the middle, it's about here versus there, nature and the nature of looking, and, of course, scenarios designed to excite."

In addition to these works highlighted in "photograph is 30," alumni Dinh Q. Lê and faculty Wardell Milan are featured artists in the January/February issue as well. Milan's first West Coast exhibition at the Fraenkel Gallery is highlighted as is Lê's retrospective at the San Jose Museum of Art in California. To read more from photograph magazine's 30th Anniversary Issue, visit the publication's site.

Wardell Milan,  Michael Ross , 2018.

Wardell Milan, Michael Ross, 2018.

Rethinking how science is seen by Marvin Heiferman on NYT LENS Blog

Photography and science continually reimagine each other. Yet science photography — for all its impact and range — is a surprisingly underexamined field. That deficit led me to develop “Seeing Science: Photography, Science and Visual Culture.” Sponsored by the University of Maryland, Baltimore County and its Center for Art Design and Visual Culture, the project tracks how science and photography work in tandem.

The symbiotic relationship of photography and the sciences has sparked epiphanies, controversies and paradigm shifts for nearly two centuries. The term “scientist” was first used in 1834, the word “photography” was introduced just five years later, and the two observational disciplines have been intertwined ever since.

The British-made ICL 7500 series from the 1970s included terminals and workstations designed for office use, and by the 1980s, to play games such as Pac-Man and Space Invaders.Credit James Ball/Docubyte

The British-made ICL 7500 series from the 1970s included terminals and workstations designed for office use, and by the 1980s, to play games such as Pac-Man and Space Invaders.Credit James Ball/Docubyte

For the full article, please visit the New York Times LENS blog site