Screening

Laura Parnes' Tour Without End screening at the Kitchen

The Kitchen, is proud to present a screening of Laura Parnes’ multiplatform project/film, Tour Without End (Twenty-One Portraits and a Protest). Directed and produced by Laura Parnes, and written in collaboration with the film’s participants, Tour Without End casts real-life musicians and artists as fictional bands on tour that evolves into a cross generational commentary on culture, identity and politics in the Trump era. The work revels in the sometimes hilarious— but always complex —band dynamics the characters endure in touring, collaborating, and aging in a youth-driven music industry. As the players move in and out of fictionalized characters and real life, the film moves in and out of non-linear narrative and historical document.

Top: pictured from left to right; Jim Fletcher, Matthew Asti, Lizzi Bougatsos, Kate Valk. Bottom: Shannon Funchess, Gary Indiana, Alexandra Drewchin, Neon Music, and Alessandra Genovese.

Top: pictured from left to right; Jim Fletcher, Matthew Asti, Lizzi Bougatsos, Kate Valk.
Bottom: Shannon Funchess, Gary Indiana, Alexandra Drewchin, Neon Music, and Alessandra Genovese.

The piece will be shown on June 11 at 8pm with live musicians including BB TAY VEE, Macy Rodman, and JD Samson with Michael O'Neill, Roddy Bottum, Caitlin Frame and Lee Free will accompany this screening.

For more information and to purchase tickets, please click here.

Pictured left to right: Kate Valk, Jim Fletcher

Pictured left to right: Kate Valk, Jim Fletcher

Shot in real environments and situations over the course of 4 years between 2014-2018, at over 15 DIY music spaces in and around NYC, Tour Without End functions as a time capsule made more apparent by the shuttering of many of the film’s locations due to NYC’s rapid gentrification. The film’s multitude of characters are legendary performers in the downtown NYC arts scene including Wooster Group founder Kate Valk, Jim Fletcher (The NYC Players), musicians Lizzi Bougatsos, (Gang Gang Dance), Kathleen Hanna (The Julie Ruin), Brontez Purnell (The Younger Lovers), Eileen Myles, Alexandra Drewchin (Eartheater), Nicole Eisenman, K8 Hardy, Johanna Fateman (Le Tigre) Shannon Funchess (Light Asylum), JD Samson (MEN), Gary Indiana, Kembra Pfahler, (Voluptuous Horror of Karen Black), Rachel Mason, Tom McGrath, Matthew Asti (MGMT), Becca Blackwell, Christen Clifford, Alessandra Genovese (Crush), Rogelio Ramos (Love Pig), Kenya Robinson (Cheeky LaShae) and Neon Music (Youth Quake).

Faculty member and artist, Laura Parnes’ critically acclaimed films and installations address counter-cultural and youth-culture references where the music is integral to the work. For over twenty years these large-scale cinematic installations have engaged numerous notable individuals in her complex and ambitious collaborations. She has screened and exhibited her work widely in the US and internationally, including: Whitney Museum of American Art, NY; MoMA PS1, NY; Miami Museum of Contemporary Art, FL; Brooklyn Museum; Deste Foundation for Contemporary Art, Athens; The International Film Festival Rotterdam, Rotterdam, Netherlands; and Museo Nacional Centro De Arte Reina Sofia, Madrid; and NY and on PBS and Spanish Television. She recently had solo exhibitions at LA><, data-preserve-html-node="true" LA, Participant Inc., Fitzroy Gallery, and solo screenings at the Museum of Modern Art and The Kitchen, New York City. Parnes is a 2013 John Simon Guggenheim Memorial Fellow, a 2014 NYFA recipient, and a 2016 Creative Capital Awardee. Video Data Bank published a box set of her work, and Participant Press published a book of her scripts titled ‘Blood and Guts in Hollywood: Two Screenplays’ by Laura Parnes with an introduction by Chris Kraus. She has also directed music videos for The Julie Ruin and Le Tigre.

Faculty and award winning filmmaker Simin Farkhondeh showcases latest documentary at the City College of New York

In the August installment of the TWN Evening Seminars, join filmmakers Al Santana, Laura L. Fowler and SVA MFA Photo faculty Simin Farkhondeh and their docufiction films, ONE PEOPLE and WHO GIVES KISSES FREELY FROM HER LIPS, with filmmaker Rico Speight leading a discussion on treading the line of documentary and dramatic work. Explore the possibilities of docufiction or docudrama- bringing together narrative fiction and cinéma vérité, in order in order to strengthen the representation of reality with artistic expression.

Thursday August 24th at 6:30pm

Documentary Forum at CCNY,

Room 291, Shepard Hall

259 Convent Ave. City College

New York, NY 10031

This work "offers an engaging introduction to this challenging subject, adeptly conveying the complexity of temporary marriage. WHO GIVES KISSES FREELY FROM HER LIPS provides a welcome complement to existing scholarly literature on temporary marriage, offering a rare glimpse into a fascinating aspect of the fast-changing landscape of Iranian sexual politics. This film is recommended for courses exploring issues of gender and sexuality in Islam and in the Middle East as well as those that consider feminism in a transnational perspective. The film would also contribute to courses on modern sex and sexuality, providing a neglected perspective on contemporary debates in feminist and queer theory concerning polyamory and other alternatives to traditional forms of heteronormative intimacy by challenging the idea of Western subjects as necessarily more "modern" or sexually liberated than others."

*-Juliet Williams, Films for the Feminist Classroom*

For more details please click here.